Plants - Botanica - Native - Indoor
Temperate - Flora - Gardening - Gardens
Flowers Adult Coloring Book (whimsical Gardens)
30 whimsical flowery designs full of the joys of spring: This adult colouring book features 30 wonderfully creative original illustrations, some representing people, some animals, mandalas or gardens, all having a flower theme Each design is printed on only one side of the page, on pure white paper Different complexity levels to fit your mood Engage in the soothing activity of colouring, relax and enjoy hours of fun and mindful calm Rediscover the simple joy of colouring while you transform each illustration into your personal masterpiece Happy colouring!
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Gardens Of A Chinese Emperor
The Garden of Perfect Brightness (Yuanming Yuan) in the western suburbs of the Quing capital, Beijing, was begun by the great Kangxi (r. 1661-1722) and expanded by his son, Yongzheng (r. 1722-1736) and brought to its greatest glory by his grandson, Qianlong (r. 1736-1796). A lover of literature and art, Qinglong sought an earthly reflection of his greatness in his Yuanming Yuan. For many years he designed and directed an elaborate program of garden arrangements. Representing two generations of painstaking research, this book follows the emperor as he ruled his empire from within his garden. In a landscape of lush plants, artificial mountains and lakes, and colorful buildings, he sought to represent his wealth and power to his diverse subjects and to the world at large. Having been looted and burned in the mid-nineteenth century by western forces, it now lies mostly in ruins, but it was the world's most elaborate garden in the eighteenth century. The garden suggested a whole set of concepts-religious, philosophical, political, artistic, and popular-represented in landscape and architecture. Just as bonsai portrays a garden in miniature, the imperial Yuanming Yuan at the height of its splendor represented the Qing Empire in microcosm.
Includes 62 color plates and 35 black & white photographs.
An Essay On The Making Of Gardens
From the PREFACE .
To many excellent people who take a gloomy view of life, studies of art and beauty seem to be but trifling ; I must therefore urge as an excuse for this essay that the greater part of it was written during a period of broken health, when slowly recovering from the effects of over-work. Further, I would plead that a serious purpose lies behind it, namely, that of influencing the newly recovered art of garden design. The revival of garden-craft is the work of English architects, more particularly of Sedding, R. Blomfield and F. Inigo Thomas. But still, as in the days of Fynes Moryson, the formal garden in England falls short of the great examples of the Italian Renaissance; it is seldom related as it should be to the surrounding scenery; it is often wanting in repose and nearly always in imagination. During the last few years several sumptuous volumes have appeared illustrating the old gardens of Italy, yet except for a few hints given by Mrs. Wharton in her most valuable and charming book, little or nothing has been said about principles. If the world is to make great gardens again, we must both discover and apply in the changed circumstances of modern life the principles which guided the garden-makers of the Renaissance, and must be ready to learn all that science can teach us concerning the laws of artistic presentment.
I intended to publish with this essay another on the history of the garden during the Dark Ages, but here again Time, against whom I am beginning to have serious grounds of complaint, has been too much for me. However, so far as matter is concerned it is complete, and I hope to issue it in the autumn.
Everyone who has travelled in Italy appreciates the courtesy and kindness shown by Italians to strangers of all nationalities - perhaps one would not be wrong in saying more especially to Englishmen. Since I first began in the early 'nineties to study old Italian gardens I have visited more than two hundred in all parts of the country, and I cannot sufficiently express my thanks to the owners.
-George R. Sitwell, May, 1909.